Showing posts with label power pop. Show all posts
Showing posts with label power pop. Show all posts

Wednesday, March 2, 2011

GREEN DAY *****

Green Day is an American punk rock band formed in 1987. The band consists of lead vocalist and guitarist Billie Joe Armstrong, bassist and backing vocalist Mike Dirnt, and drummer Tré Cool. Cool replaced former drummer John Kiffmeyer in 1990, prior to the recording of the band's second studio album, Kerplunk, and has been a member of the band since.







Green Day was originally part of the punk scene at 924 Gilman Street in Berkeley, California. The band's early releases for the independent record label Lookout! Records earned it a grassroots fanbase. In 1994, its major label debut Dookie became a breakout success and eventually sold over 10 million copies in the U.S. Green Day was widely credited, alongside fellow California punk bands The Offspring, Rancid, and NOFX, with popularizing and reviving mainstream interest in punk rock in the United States. Green Day's three follow-up albums, Insomniac, Nimrod, and Warning did not achieve the massive success of Dookie, though they were still successful, reaching double platinum and gold status respectively. Their 2004 rock opera American Idiot reignited the band's popularity with a younger generation, selling five million copies in the U.S. The band's eighth studio album, 21st Century Breakdown, was released in 2009.

Green Day has sold over 65 million records worldwide and 24.639 million in the US alone. They have won four Grammy Awards: Best Alternative Album for Dookie, Best Rock Album for American Idiot, Record of the Year for "Boulevard of Broken Dreams", and Best Rock Album for the second time for 21st Century Breakdown. In 2010, a stage adaptation of American Idiot debuted on Broadway. The musical has been nominated for several Tony Awards, including Best Musical and Best Scenic Design, and has received generally positive reviews.

Band history

Formation and Lookout years: 1987–1993

In 1987, friends Billie Joe Armstrong and Mike Dirnt, 15 years old at the time, formed a band called Sweet Children. Its first live performance took place on October 17, 1987 at Rod's Hickory Pit in Vallejo, California where Armstrong's mother was working. In 1988, Armstrong and Dirnt began working with Sean Hughes and the former Isocracy drummer John Kiffmeyer, also known as Al Sobrante. Kiffmeyer served as both the band's drummer and business manager, handling the booking of performances and helping the band establish a fan base, and Sean Hughes served as the band's bassist. As said in the film Punk's Not Dead, Armstrong cites the band Operation Ivy (which featured Tim Armstrong and Matt Freeman of Rancid) as a major influence, and a band that drove him to form a band.

After Hughes left Green Day in 1988, Larry Livermore, owner of Lookout! Records, saw the band play an early show and signed them to his label. In 1989, they recorded their first extended play, 1,000 Hours. Before 1,000 Hours was released, the band dropped the name Sweet Children; according to Livermore, this was done to avoid confusion with another local band Sweet Baby. The band adopted the name Green Day, allegedly due to their fondness of marijuana.

Lookout! would release Green Day's debut album, 39/Smooth in early 1990. Green Day would record two EPs later that year, Slappy and Sweet Children, the latter of which included older songs that the band had recorded for the Minneapolis independent record label Skene! Records. In 1991, Lookout! Records released 1,039/Smoothed Out Slappy Hours, a compilation of the 39/Smooth, Slappy, and 1,000 Hours EPs. In late 1990, shortly after the band's first nationwide tour, Sobrante left the East Bay area to attend college. The Lookouts drummer Tré Cool began filling in as a temporary replacement, and when it became clear that Sobrante did not plan to commit to the band full time, Cool's position as Green Day's drummer became permanent. The band went on tour for most of 1992 and 1993, and played a number of shows overseas in Europe. The band's second studio album Kerplunk sold 50,000 copies in the U.S.

Breakthrough success: 1994–1996

Kerplunk's underground success led to a number of major record labels being interested in signing the band, and the band eventually left Lookout! on friendly terms and signed to Reprise Records after attracting the attention of producer Rob Cavallo. The band was impressed by his work with fellow Californian band The Muffs, and later remarked that Cavallo "was the only person we could really talk to and connect with".Signing to Reprise caused many punk rock fans to regard Green Day as sellouts. Reflecting on the period, Armstrong told Spin magazine in 1999, "I couldn't go back to the punk scene, whether we were the biggest success in the world or the biggest failure ... The only thing I could do was get on my bike and go forward." After signing with Reprise, the band went to work on recording its major label debut, Dookie.

Released in February 1994, and recorded in three weeks, Dookie became a commercial success, helped by extensive MTV airplay for the videos of the songs "Longview", "Basket Case", and "When I Come Around", all of which reached the number one position on the Modern Rock Tracks charts. That year, Green Day embarked on a nationwide tour with queercore band Pansy Division as its opening act. At a September 9, 1994 performance at Boston Esplanade, mayhem broke-out during the band's set (cut short to seven songs) and by the end of the rampage, 100 people were injured and 45 arrested. The band also joined the lineups of both the Lollapalooza festival and Woodstock 1994, where they started an infamous mud fight. During the concert, a security guard mistook bassist Mike Dirnt for a stage-invading fan and punched out some of his teeth. Viewed by millions by pay-per-view television, the Woodstock 1994 performance further aided Green Day's growing publicity and recognition, and helped push its album to eventual diamond status. In 1995, Dookie won the Grammy Award for Best Alternative Album and the band was nominated for nine MTV Video Music Awards including Video of the Year.

In 1995, a new single for the Angus soundtrack was released, entitled "J.A.R.". The single debuted at number one on the Billboard Modern Rock Tracks chart. The song was followed by the band's fourth studio album, Insomniac, which was released in the fall of 1995. Insomniac was a much darker and heavier response to the band's newfound popularity, compared to the more melodic Dookie. The album opened to a warm critical reception, earning 4 out of 5 stars from Rolling Stone, which said "In punk, the good stuff actually unfolds and gains meaning as you listen without sacrificing any of its electric, haywire immediacy. And Green Day are as good as this stuff gets." The singles released from Insomniac were "Geek Stink Breath", "Stuck with Me", "Brain Stew/Jaded", and "Walking Contradiction". Though the album did not approach the success of Dookie, it sold two million copies in the United States. In addition, the album won the band award nominations for Favorite Artist, Favorite Hard Rock Artist, and Favorite Alternative Artist at the 1996 American Music Awards, and the video for "Walking Contradiction" got the band a Grammy nomination for Best Video, Short Form, in addition to a Best Special Effects nomination at the MTV Video Music Awards. After that, the band abruptly cancelled a European tour, citing exhaustion.

Middle years and decline in popularity: 1997–2002

After a brief hiatus in 1996, Green Day began to work on a new album in 1997. From the outset, both the band and Cavallo agreed that the album had to be different from its previous albums. The result was Nimrod, an experimental deviation from the band's standard pop-punk brand of music. The new album was released in October 1997. It provided a variety of music, from pop-punk, surf rock, and ska, to an acoustic ballad. Nimrod entered the charts at number 10. The success of "Good Riddance (Time of Your Life)" won the band an MTV Video Award for Best Alternative Video for the song's video, which depicted people undergoing major changes in their lives while Armstrong strummed his acoustic guitar. The song was also used in the second "clip show" episode of Seinfeld and on two episodes of ER. The other singles released from Nimrod were "Nice Guys Finish Last", "Hitchin' a Ride" and "Redundant". The band made a guest appearance in an episode of King of the Hill entitled "The Man Who Shot Cane Skretteberg", which aired in 1997. In late 1997 and most of 1998, Green Day embarked on a tour in support of Nimrod.

In 2000, Green Day released its sixth studio album Warning, a step further in the style that they had hinted at with Nimrod. In support of the album, the band participated in the Warped Tour in 2000. The band also had an independent tour to support the album in 2001. Critics' reviews of the album were varied. Allmusic gave it 4.5/5 saying "Warning may not be an innovative record per se, but it's tremendously satisfying." Rolling Stone was more critical, giving it 3/5, and saying "Warning... invites the question: Who wants to listen to songs of faith, hope and social commentary from what used to be snot-core's biggest-selling band?" Though it produced the hit "Minority" and a smaller hit with "Warning", some observers were coming to the conclusion that the band was losing relevance, and a decline in popularity followed. While all of Green Day's previous albums had reached a status of at least double platinum, Warning was only certified gold.

At the 2001 California Music Awards, Green Day won all eight awards that they were nominated for. They won the awards for Outstanding Album (Warning), Outstanding Punk Rock/Ska Album (Warning), Outstanding Group, Outstanding Male Vocalist, Outstanding Bassist, Outstanding Drummer, Outstanding Songwriter, and Outstanding Artist.

The release of two compilation albums, International Superhits! and Shenanigans, followed Warning. International Superhits and its companion collection of music videos, International Supervideos!, sold well, being certified platinum in the U.S. Shenanigans contained some of the band's b-sides, including "Espionage" which was featured in Austin Powers: The Spy Who Shagged Me and was nominated for a Grammy Award for Best Rock Instrumental Performance.

In the spring of 2002, Green Day co-headlined the Pop Disaster Tour with Blink-182. Despite the co-headlining title, Green Day would play each show before Blink-182, who at the time were experiencing more success. The tour was documented on the DVD Riding in Vans with Boys.

American Idiot and renewed success: 2003–2006

In the summer of 2003, the band went into a studio to write and record new material for a new album, tentatively titled Cigarettes and Valentines. After completing 20 tracks, the master recordings were stolen from the studio by an unknown individual. Instead of re-recording the stolen tracks, the band decided to abandon the entire project and start over, considering the material to be unrepresentative of the band's best work. It was then revealed that a band called The Network was signed to Armstrong's record label Adeline Records with little fanfare and information. After the mysterious band released an album called Money Money 2020, it was rumored that The Network was a Green Day side project, due to the similarities in the bands sounds. However, these rumors were never addressed by the band or Adeline Records, except for a statement on the Adeline website discussing an ongoing dispute between the two bands.

Green Day collaborated with Iggy Pop on two tracks for his album Skull Ring in November 2003. On February 1, 2004 a new song, a cover of "I Fought the Law" made its debut on a commercial for iTunes during NFL Super Bowl XXXVIII. The band underwent serious "band therapy", engaging in a number of long talks to work out the members' differences after accusations from Dirnt and Cool that Armstrong was "the band's Nazi" and a show-off bent on taking the limelight from the other band members.

The resulting album, American Idiot (2004), debuted at number one on the Billboard charts, the band's first album to reach number one, backed by the success of the album's first single, "American Idiot". The album was labeled as a "punk rock opera" which follows the journey of the fictitious "Jesus of Suburbia". American Idiot won the 2005 Grammy for "Best Rock Album" and the band swept the 2005 MTV music awards, winning a total of seven of the eight awards they were nominated for, including the Viewer's Choice Award.

Through 2005, the band toured in support of the album with nearly 150 dates — the longest tour in its career — visiting Japan, Australia, South America and the United Kingdom. While touring for American Idiot, they filmed and recorded the two concerts at the Milton Keynes National Bowl in England, which was voted 'The Best Show On Earth' in a Kerrang! Magazine Poll.

These recordings were released as a live CD and DVD called Bullet in a Bible on November 15, 2005. This CD/DVD featured songs from American Idiot as well as a songs from all its previous albums, except Kerplunk and 1,039/Smoothed Out Slappy Hours. The DVD featured behind-the-scenes footage of the band, and showed how the band prepared to put on the show. The final shows of its 2005 world tour were in Sydney, Australia, and Melbourne, Australia, on December 14 and 17 respectively. On January 10, 2006 the band was awarded with a People's Choice Award for favorite group.

On August 1, 2005, Green Day announced that it had rescinded the master rights to its pre-Dookie material from Lookout! Records, citing a continuing breach of contract regarding unpaid royalties, a complaint shared with other Lookout! bands. The pre-Dookie material, which remained out of print for about a year, was reissued by the band's current label, Reprise, on January 9, 2007.

In 2006, Green Day won the Grammy Award for Record of the Year for "Boulevard of Broken Dreams" which spent 16 weeks at the number one position of Billboard's Modern Rock Tracks, a record it shared along with Red Hot Chili Peppers' "Scar Tissue" and Staind's "It's Been Awhile", (the record has been since been beaten by the Foo Fighters' 2007 song "The Pretender" which was at number one for 18 weeks).

Foxboro Hot Tubs and 21st Century Breakdown: 2007–2009

Green Day engaged in a number of other smaller projects in the time following the success of American Idiot. They released an album under the band name Foxboro Hot Tubs entitled Stop Drop and Roll!!!. In 2008, the Foxboro Hot Tubs went on a mini-tour to promote the record, hitting tiny Bay Area venues including the Stork Club in Oakland and Toot's Tavern in Crockett, CA.

In an interview with Kerrang!, Armstrong revealed that 2008 would "be a fair estimate of the release date of their new untitled eighth studio album for Green Day." In an interview with Carson Daly, Garbage lead singer Shirley Manson revealed that Butch Vig would be producing Green Day's forthcoming album. The span of nearly five years between American Idiot and 21st Century Breakdown was the longest gap between studio albums in Green Day's career. The band had been working on new material since January 2006. By October 2007, Armstrong had 45 songs written, but the band showed no further signs of progress until October 2008, when two videos showing the band recorded in the studio with producer Butch Vig were posted on YouTube. The writing and recording process, spanning three years and four recording studios, was finally finished in April 2009.

21st Century Breakdown, was released on May 15, 2009. The album received a mainly positive reception from critics, getting an average rating between 3 and 4 stars. After the release, the album reached number one in fourteen countries, being certified gold or platinum in each. 21st Century Breakdown achieved Green Day's best chart performance to date. The band started playing shows in California in April and early May. It was their first live show in about three years. Green Day went on a world tour that started in North America in July 2009 and continuing around the world throughout the rest of 2009 and early 2010. Wal-Mart refused to carry the album as it contains a Parental Advisory sticker and requested that Green Day release a censored edition. The band members did not wish to change any lyrics on the album and responded by stating, "There's nothing dirty about our record... They want artists to censor their records in order to be carried in there. We just said no. We've never done it before. You feel like you're in 1953 or something."
In 2009, the band met with award-winning director Michael Mayer and many cast and crew members of the Tony Award-winning musical Spring Awakening to create a stage version of the album American Idiot. American Idiot: The Musical opened in the Berkeley Repertory Theatre during the end of 2009. The show features an expanded story of the original album, with new characters such as Will, Extraordinary Girl, and Favorite Son.

American Idiot: The Musical on Broadway and the ninth studio album: 2010–present

On April 20, 2010, American Idiot: The Musical opened on Broadway, and Green Day released the soundtrack to the musical, featuring a new song by Green Day entitled "When It's Time". In June 2010 the UK iTunes Store received the single "When It's Time".

During the Spike TV Video Game Awards 2009, it was announced that Green Day was set to have its own Rock Band video game, as a follow-up to the last band specific Rock Band game, The Beatles: Rock Band. The game was released on June 8, 2010. The game features the full albums of Dookie, American Idiot, and 21st Century Breakdown as well as select songs from the rest of Green Day's discography.

Green Day plan on having a follow-up album within the next couple of years, but no specific dates have been stated. They have said that they are writing new material. In an interview with Kerrang! magazine, Armstrong spoke about the possible new album: "We did some demos in Berlin, some in Stockholm, some just outside of Glasgow and some in Amsterdam. We wanted get [the songs] down in some early form."

On August 24, 2010, the band posted on their Twitter account that there is a possibility that a new live album will be released soon: "We've been recording our live shows since the beginning of tour. Possible Live album coming. A ton of songs! We're in texas!" On August 28, the band mentioned the live album again at a show in Denver, Colorado. Armstrong told the audience, "Hey, I just want to tell you something right now. We are recording a live fucking album right now", before playing a "new" song called "Cigarettes and Valentines", which was the title track from the unreleased album from 2003. The band also stated that they were recording a live album during the entire tour on the last date of the tour in Mountain View, California, also before playing the song "Cigarettes and Valentines".

In October 2010, Dirnt was interview by Radio W, mentioning that they have completed the writing process of the ninth studio album and stating that, "We are always working on songs, when its time and when the music is right we will put it out. I like to think that we have enough material right now to put out a great record, but we want to go back home and make sure that it's perfect for everybody before we put it out." In the interview, Dirnt also mentions that the new live album will "most likely" be released with a live film. Shortly after the interview, there was a live Ustream broadcast with the band, where they announce that they had written 30 songs for the ninth album, and that they have recorded every show (audio and video) for the live album. Currently, the release date for that live album is rumored to be released Spring/Summer of 2011.

On December 5, 2010, Green Day formed another side-project with Jesse Malin called Rodeo Queens, they released their first single called "Depression Times".

On December 17, 2010, it was announced that a live CD/DVD entitled Awesome as Fuck will be released on March 22nd, 2011.

Musical style and influences

Green Day's sound is often compared to first wave punk bands such as the Ramones, The Clash, Sex Pistols, Stiff Little Fingers, The Jam, and the Buzzcocks. Billie Joe Armstrong has mentioned that some of his biggest influences are seminal alternative rock bands Hüsker Dü and The Replacements, and that their influence is particularly noted in the band's chord changes in songs. Green Day has covered Hüsker Dü's "Don't Want to Know If You Are Lonely" as a b-side to the "Warning" single, and the character "Mr. Whirly" in their song "Misery" is a reference to the Replacements song of the same name. Among other influences, Green Day have also cited The Who and power pop pioneers Cheap Trick.

The band has generated controversy over whether the band's musical style and major-label status constitutes as "true punk". In reaction to both the style of music and the background of the band, John Lydon, former front man of the 1970s punk band the Sex Pistols commented:

"So there we are fending off all that and it pisses me off that years later a wank outfit like Green Day hop in and nick all that and attach it to themselves. They didn't earn their wings to do that and if they were true punk they wouldn't look anything like they do."

Armstrong himself has discussed their status of being a punk band on a major label, saying "Sometimes I think we've become totally redundant because we're this big band now, we've made a lot of money - we're not punk rock any more. But then I think about it and just say, 'You can take us out of a punk rock environment, but you can't take the punk rock out of us.'" English rock musician Noel Gallagher of Oasis also complained about the band semi-jokingly, claiming that they ripped off his song "Wonderwall" with their song "Boulevard of Broken Dreams".

Cool mentioned in a July 2009 interview that while Armstrong is the primary songwriter, he looks to the other band members for organizational help.

Related projects

Since 1991, members of the band have branched out past Green Day and have started other projects with other musicians. Notable related projects of Green Day include Billie Joe Armstrong's Pinhead Gunpowder (which also features Green Day's live back-up guitarist Jason White), The Frustrators in which Mike Dirnt plays bass, and The Network, in which all three members of Green Day play under fake stage names. Billie Joe Armstrong has also confirmed that the main members of Green Day are in the band Foxboro Hot Tubs. A Foxboro Hot Tubs album titled Stop Drop and Roll!!! was released on May 20, 2008.

In September 2006, Green Day collaborated with U2 and producer Rick Rubin to record a cover of the song "The Saints Are Coming", originally recorded by The Skids, with an accompanying video. The song was recorded to benefit Music Rising, an organization to help raise money for musicians' instruments lost during Hurricane Katrina, and to bring awareness on the eve of the one year anniversary of the disaster.

In December 2006, Green Day and NRDC opened a web site in partnership to raise awareness on America's dependency on oil.

Green Day released a cover of the John Lennon song "Working Class Hero", which was featured on the album Instant Karma: The Amnesty International Campaign to Save Darfur. The band performed the song on the season finale of American Idol. The song was nominated for a Grammy Award in 2008, though lost to The White Stripes' "Icky Thump". That summer, the band appeared in a cameo role in The Simpsons Movie, where they perform the show's theme song. Their version was released as a single on July 24, 2007.

In 2009, the band collaborated with theatre director Michael Mayer to adapt their rock opera American Idiot into a one-act stage musical that premiered at the Berkeley Rep on September 15, 2009. The show then moved to Broadway on April 20, 2010.

The reviews of American Idiot: The Musical have been positive to mixed. Charles Isherwood of The New York Times wrote an enthusiastic review for the Broadway production. He called the show "a pulsating portrait of wasted youth that invokes all the standard genre conventions ... only to transcend them through the power of its music and the artistry of its execution, the show is as invigorating and ultimately as moving as anything I’ve seen on Broadway this season. Or maybe for a few seasons past." Jed Gottleib of the Boston Herald enjoyed the premise of the show but found that "the music and message suffer in a setting where the audience is politely, soberly seated". Michael Kuchiwara of the Associated Press found the show to be "visually striking [and] musically adventurous", but noted that "the show has the barest wisp of a story and minimal character development".Paul Kolnik in USA Today enjoyed the contradiction that Green Day's "massively popular, starkly disenchanted album ... would be the feel-good musical of the season".Time magazine's Richard Zoglin opined that the score "is as pure a specimen of contemporary punk rock as Broadway has yet encountered [yet] there's enough variety. ... Where the show fall short is as a fully developed narrative." He concluded that "American Idiot, despite its earnest huffing and puffing, remains little more than an annotated rock concert. ... Still, [it] deserves at least two cheers – for its irresistible musical energy and for opening fresh vistas for that odd couple, rock and Broadway." Peter Travers from Rolling Stone, in his review of American Idiot, wrote "Though American Idiot carries echoes of such rock musicals as Tommy, Hair, Rent and Spring Awakening, it cuts its own path to the heart. You won’t know what hit you. American Idiot knows no limits — it's a global knockout."

The musical has been nominated for a number of Tony Awards, including Best Musical and Best Scenic Design. It was also nominated for a number of Drama Desk Awards and Outer Critics Circle Awards.

In October 2009, a Green Day art project was exhibited at StolenSpace Gallery in London. The exhibition showed artworks created for each of the songs on 21st Century Breakdown, was supported by the band, and led by their manager Pat Magnarella. He explained in an interview that "[Artists are] basically like rock bands. Most are creating their art, but don't know how to promote it." For Billie Joe Armstrong, "Many of the artists... show their work on the street, and we feel a strong connection to that type of creative expression."


Monday, January 10, 2011

AMERICAN Hi-Fi **

American Hi-Fi is an American rock band from Los Angeles, California, which originally hailed from Boston, Massachusetts. The band consists of vocalist Stacy Jones, guitarist Jamie Arentzen, bassist Drew Parsons, and drummer Brian Nolan. Prior to the group's formation, Stacy Jones was well-known for being a drummer in the successful alternative rock bands Veruca Salt and Letters to Cleo.American Hi-Fi has a close relationship with Miley Cyrus, whose band shares three quarters of the same members as American Hi-Fi. The group has a mixed musical style that includes influences from pop punk, alternative rock, pop rock, and power pop.

American Hi-Fi este o formatie de rock americana din Los Angeles, California, care a provenit initial din Boston, Massachusetts. Formatia este alcatuita din vocalistul Stacy Jones, chitaristul Jamie Arentzen, basistul Drew Parsons si bateristul Brian Nolan. Inaintea formarii trupei, Stacy Jones era bine cunoscut ca tobosar al trupelor rock alternativ de succes Veruca Salt si Letters to Cleo. American Hi-Fi are o relatie apropiata cu Miley Cyrus, al carui formatie este alcatuita din trei sferturi din membrii trupei American Hi-Fi. Grupul are un stil muzical mixt care include infleunte din pop punk, rock alternativ si power pop.
The group issued its eponymous debut album in 2001, which lead to their hit single "Flavor of the Weak". After successful touring, they released the live album Rock N' Roll Noodle Shop: Live from Tokyo and then the full album The Art of Losing, in 2002 and 2003 respectively. The group was dropped from their label, Island Records, and they then moved to Los Angeles to remake their production and sound. Working with veteran music producer Butch Walker, they released Hearts on Parade in 2005. The band has toured since to a widespread fan base in Japan and in the U.S.
Trupa editeaza albumul cu acelasi nume in 2001, din care este extras hitul “Flavor of the Weak”. Dupa un turneu de succes, ei lanseaza albumul live Rock N’ Roll Noodle Shop: Live from Tokyo, dupa care albumul de studio The Art of Losing, in 2002, respectiv, 2003. Grupul renunta la casa lor de inregistrari, Island Records si se muta in Los Angeles pentru a-si reprocesa inregistrarile. Lucrand cu veteranul producator de muzica, Butch Walker, ei scot pe piata materialul Hearts on Parade in 2005. Formatia porneste intr-un turneu adresat unui mai larg numar de fani din Japonia si din State.

History/ Povestea trupei

Formation, self-titled album and The Art of Losing (1998–2003)

Infiintarea, albumul eponim si The Art of Losing (1998-2003)

American Hi-Fi initially formed under the name BMX Girl, and Jones changed to a name personally suggested to him by Keith Richards of the Rolling Stones.
American Hi-Fi ia fiinta initial sub numele BMX Girl, dar Jones schimba numele dupa o sugestie primita din partea lui Keith Richards de la Rolling Stones.
American Hi-Fi's released self-titled debut album through Island Records on February 27, 2001. It was an Allmusic 'Album Pick'. Critic Mario Mesquita Borges praised it and stated that "[t]he future of rock & roll is surely guaranteed with acts such as American Hi-Fi." The album reached #81 on the The Billboard 200 list and #1 on the Heatseekers list. The band also achieved a commercial breakthrough through their debut single, "Flavor of the Weak", which ran up the Hot Modern Rock Tracks, the Billboard Hot 100, and other charts.
American Hi-Fi lanseaza albumul cu acelasi nume la studiourile Island Records, pe data de 27 februarie, 2001. Albumul este remarcat de AllMusic. Criticul Mario Masquita Borges il elogiaza, declarand ca ,,viitorul rock’n’roll-ului este categoric garantat de aparitii precum American Hi-Fi”. Albumul ajunge pe locul 81 in top 200 Billboard si pe locul 1 in clasamentul Heatseekers. De asemenea, trupa cunoaste un succes comercial prin piesa lor de debut "Flavor of the Weak", care urca in topurile Hot Modern Rock Tracks, The Billboard Hot 100 si alte topuri.
In February 2003, the band released their second studio album, The Art of Losing. The album featured the successful singles "The Art of Losing" and "The Breakup Song" which made the band famous. The album was produced by producer Nick Launay, who worked with such artists as Talking Heads, Public Image Ltd. and Silverchair. It is when the album failed to reach the success of the band's first album, that the band was dropped by Island Records.
In februarie, 2003, formatia lanseaza cel de-al doilea album, The Art Of Losing. Albumul contine piesele de succes “The Art of Losing” si "The Breakup Song" care aduc consacrarea formatiei. Albumul este produs de catre producatorul Nick Launay, care mai lucrase cu artisti ca Talking Heads, Public Image Ltd si Silverchair. Pentru ca acest album nu se ridica la succesul primului, casa Island Records renunat la colaborarea cu trupa.

Hearts on Parade and label troubles (2004–2006)

Hearts on Parade si problemele cu casa de discuri (2004-2006)

In early 2004 and without a backing label, the band headed to Los Angeles, to begin work on a new album with producer Butch Walker. The album, Hearts on Parade, was released in Japan on July 14, 2004.
La inceputul lui 2004 si fara sprijinul unei case de discuri, trupa pleaca la Los Angeles pentru a incepe lucrul la un nou album impreuna cu producatorul Butch Walker. Albumul Hearts on Parad apare in Japonia pe 14 iulie, 2004.
In 2005, American Hi-Fi were signed by Maverick Records, a division of Island. Maverick helped promote the lead single from Hearts on Parade, "The Geeks Get the Girls", releasing it as a single for radio airplay and following with a music video in February 2005. American release of the full album was repeatedly delayed, finally occurring on April 12, 2005, almost a year after the initial release in Japan. Neither single released with the album broke into the Billboard Modern Rock charts. Fans complained that the new album was too pop. Maverick dropped the band in autumn 2005 citing poor record sales.
In 2005, American Hi-Fi semneaza cu Maverick Records, o diviziune a casei de discuri Island. Maverick ajuta la promovarea single-ului de pe Hearts on Parade, “The Geeks Get the Girls”, lansandu-l ca single pentru radiouri, dupa care urmeaza un videoclip in februarie, 2005. Lansarea din State a albumului se tot amana, in cele din urma acest lucru se intampla pe 12 aprilie, 2005, la aproape un an dupa lansarea oficiala din Japonia. Niciun single lansat de pe acest album nu intra in topul Billboard Modern Rock. Fanii se plang de faptul ca noul album este prea pop. Maverick renunta la contractul cu trupa in toamna lui 2005 invocand vanzarile slabe ale albumului.
In the winter of 2005, Playtone Records began seeking submissions for the Superman Returns soundtrack. The band submitted a demo, "The Rescue", which had been recorded for Hearts on Parade but was cut from the album. "The Rescue" was selected for the soundtrack and ran in promotions for the film. "The Rescue" also received frequent radio airplay into the spring of 2006, but did not result in a new record contract for the band.
In iarna lui 2005, Playtone Records incep cautarile pentru realizarea coloanei sonore a filmului Superman Returns. Formatia trimite un demo, “The Rescue”, care fusese inregistrat pentru albumul Hearts on Parade, pentru ca mai apoi sa fie scos de pe album. “The Rescue” este ales ca soundtrack si ascultat in prezentarea filmului. “The Rescue” are parte si de difuzare frecventa la radio in primavera lui 2006, dar acest lucru nu duce la semnarea unui nou contract cu o casa de discuri pentru trupa.

Fight the Frequency and creation of Hi-Fi Killers label (2006–present)

Fight the Frequency si infiintarea casei de discuri Hi-Fi Killers (2006-prezent)

In December 2006, Parsons and Jones met for plans for a follow-up album, the plans were put on hold due to Jones' busy schedule and Arentzen's plans to join Butch Walker's touring band in Spring 2007.
In decembrie, 2006, Parsons si Jones se intalnesc pentru planificarea albumului urmator, planurile sunt intarziate din cauza programului incarcat al lui Jones si din cauza planurilor lui Arentzen de a canta cu Butch Walker in turneul acestuia in primavera lui 2007.
In April 2007, American Hi-Fi announced that the band would record their fourth record in May 2007. Soon after, former drummer Brian Nolan re-joined the band for their follow up and will stay in the band until further notice.
In aprilie 2007, American Hi-Fi anunta ca va inregistra cel de-al patrulea album in mai, 2007. La scurt timp dupa, fostul baterist, Brian Nolan, reintra in formatie temporar, dupa care ramane.
On January 8, 2008, American Hi-Fi released two new tracks on their MySpace page, both unfinished mixes off their upcoming fourth album. "Keep It Like a Secret" was the first track released followed by "A Taste for Crime". Frontman Stacy Jones described the new album as sounding "...a little like Elliott Smith partying with the Foo Fighters at a kegger with My Bloody Valentine and Superdrag". The band also released eight demos, a few of which were recorded live in the studio sans overdubs on their MySpace page including "Fight the Frequency", "Frat Chump", "Acetate", "Bullet", "This Is a Low", "Recover the Stars", "Lost" and "Where Love Is a Lie".
Pe data de 8 ianuarie, 2008, American Hi-Fi lanseaza doua noi piese pe pagina lor de MySpace, ambele fiind mixaje neterminate de pe cel de-al patrulea album. “Keep It Like a Secret” este prima piesa lansata, urmata de “A Taste for Crime”. Liderul trupeil, Stacy Jones descrie noul album declarand ca suna “… putin in genul lui Elliott Smith la o bauta cu Foo Fighers, My Bloddy Valentine si cu Superdrag”. Trupa scoate opt piese demo, dintre care cateva sunt inregistrate live neprelucrate, pe pagina de MySpace, printer care “Fight the Frequency”, “Frat Chump”, “Acetate”, “Bullet”, “This Is a Low”, “Recover the Stars”, “Lost” si “Where Loves Is a Lie”.
On December 4, 2008, Drew Parsons was interviewed about the band and its upcoming fourth record. Parsons talked about the struggles with their past two labels; Island Records and Maverick Records. He also pointed out that they had signed with Original Sound records and would be releasing a new record in April/May 2009. "The record is complete," says Parsons, "but now it comes down to selecting the songs that will make it on the record". However, later in the year, the band had decided not to go through with plans on Original Sound.
The new record will be released August 17, 2010.
Pe 4 decembrie, 2008, Drew Parsons este intervievat legat de formatie si de cel de-al patrulea album asteptat. Parsons vorbeste despre conflictele cu cele doua case de discuri anterioare; Island Records si Maverick Records. De asemenea, el subliniaza faptul ca au semnat cu casa Original Records si ca vor lansa un nou album in aprilie/mai 2009. “Albumul este gata”, spune Parson, “dar acum ne ocupam de selectarea pieselor care vor face parte din album”. Cu toate acestea, spre finele anului, trupa hotaraste sa nu continue cu Original Sounds.
Noul album apare pe 17 august, 2010.
According to Stacy Jones in a recent interview, the band has created their own record label "Hi-Fi Killers/The Ascot Club" (through Megafice/RED/Sony) as a means of the band owning their music and to have more input and control for the overall direction and promotion of the band's releases.
Potrivit lui Stacy Jones intr-un interviu recent, trupa si-a infiintat propria casa de discuri “Hi-Fi Killers/ The Ascot Club” (prin Megafice/RED/Sony) pentru ca trupa sa poata avea drepturi de proprietate asupra realizarilor ei si pentru a putea avea mai mult control asupra directiei si promovarii propriilor materiale discografice.
In July 2010 the band released a new music video for the new single "Lost" as well as a EP on iTunes containing four songs, "Lost", "This is a Low", "Where Love is a Lie" and "A Taste for Crime". As well as a new fully developed website.
In iulie, 2010, formatia lanseaza un nou videoclip pentru noul single “Lost”, dar si un EP pe iTunes care contine patru cantece, "Lost", "This is a Low", "Where Love is a Lie" si "A Taste for Crime". De asemenea, apare un nou website foarte bine pus la punct.

Band members/ Membrii formatiei

Current members/ Membrii actuali
  • Stacy Jones – lead vocals, rhythm guitar, drums (1998–present)
  • Jamie Arentzen – lead guitar, backing vocals (1998–present)
  • Drew Parsons – bass guitar, backing vocals (1998–present)
  • Brian Nolan – drums, percussion (1998–2003, 2007–present)
Former members/ Fosti membri
  • Jason Sutter – drums, percussion (2003–2006)

Discography

American Hi-Fi    
 




1.
Surround
3:11
2.
Flavor of the Weak  
3:08
3.
A Bigger Mood
3:38
4.
Safer on the Outside
4:01
5.
I'm a Fool
4:00
6.
Hi-Fi Killer
3:05
7.
Blue Day
3:33
8.
My Only Enemy
3:27
9.
Don't Wait for the Sun
3:50
10.
Another Perfect Day
3:38
11.
Scar
4:03
12.
What About Today
3:34 
13.
Wall of Sound
5:48

UK bonus track

14.
Black Satellite
3:29
15.
Still Sideways

2:48
The Art of Losing




















  1. "The Art of Losing" - 3:23
  2. "The Breakup Song" - 2:55
  3. "Beautiful Disaster" - 2:37
  4. "Save Me" - 3:55
  5. "Nothing Left to Lose" - 2:57
  6. "Teenage Alien Nation" - 3:01
  7. "Rise" - 3:11
  8. "This is the Sound" - 4:11
  9. "The Gold Rush" - 3:38
  10. "Built for Speed" - 2:48
  11. "Happy" - 4:04
UK bonus tracks
  1. "A Bigger Mood" (Live) - 4:21
  2. "Hi-Fi Killer" (Live) - 3:20
  1. "When the Breeders Were Big" - 3:48

Hearts on Parade 
 


















  1. "Maybe Won't Do" – 3:26
  2. "Hell Yeah!" – 3:06
  3. "The Geeks Get the Girls" – 2:50
  4. "We Can't Be Friends" – 3:22
  5. "Something Real" – 3:50
  6. "Highs and Lows" – 3:17
  7. "The Everlasting Fall" – 3:29
  8. "Separation Anxiety" – 3:35
  9. "Baby Come Home" – 2:51
  10. "Where Did We Go Wrong" – 3:06
  11. "Hearts on Parade" – 7:55



Fight the Frequency
Released:  August 17, 2010. Length: 44:03. Label: RED Distribution/ Hi-Fi Killers



 


1.
Fight the Frequency 
3:57
2.
This Is a Low  
3:57
3.
Where Love is a Lie  
3:51
4.
Acetate
3:32
5.
Lost  
4:03
6.
Keep It Like a Secret 
3:09
7.
Frat Clump  
2:13
8.
Lookout for Hope  
3:18
9.
A Taste for Crime
3:09
10.
Stargazer  
3:42
11.
Bullet 
3:55
12.
13.
Tiny Spark  
Recover the Stars 
(bonus track)

Lyrics 
"American Hi-FI"

Sorround
I need a better way to get my head straight
it's not like anybody would know
gotta silver cloud high above me
running circles around and round me

Turn it up again we're going nowhere
let the sound surround everyone
I play the static with the noise in my head
let the sound surround everyone

Go out the deep end
I've got nothing to prove
I've got nothing better to do
I'm so happy so fucken happy now
that I'm far from the glare of the city

Turn it up again we're going nowhere
let the sound surround everyone
I play the static with the noise in my head
let the sound surround everyone

Better way, better way, better way
I need a better way

I heard the white noise
with waves in radiation
they're falling from the sky

Turn it up again we're going nowhere
let the sound surround everyone
I play the static with the noise in my head
let the sound surround everyone

Turn it up again we're going nowhere
I play the static with the noise in my head
and let the sound surround
turn it up again
let the sound surround uhhh...

Flavor of the Week
She paints her nails and she don't know,
He's got her best friend on the phone.
She'll wash her hair, his dirty clothes,
Or all he gives to her.
And he's got posters on the wall
Of all the girls he wished she was.
And he means everything to her.

Her boyfriend,
He don't know
Anything
About her.
He's too stoned,
Nintendo.
I wish that I could make her see,
She's just the flavor of the weak.

It's Friday night and she's all alone,
He's a million miles away.
She's dressed to kill, but the TV's on,
He's connected to the sound.
And he's got pictures on the wall
Of all the girls he's loved before,
And she knows all his favorite songs.

Her boyfriend,
He don't know
Anything
About her.
He's too stoned,
Nintendo.
I wish that I could make her see,
She's just the flavor of the weak.
Yeah.

Her boyfriend,
He don't know
Anything
About her.
He's too stoned,
He's too stoned,
He's too stoned,
He's too stoned.

Her boyfriend,
He don't know
Anything
About her.
He's too stoned,
Nintendo.
I wish that I could make her see,
She's just the flavor of the weak.
Yeah she's the flavor of the weak.
She makes me weak.

A Bigger Mood
I need a bigger mood
to block out the sun
I don't wanna see what I've become
and you could fight your way
give back what you really want
it's nothing special anyway
chorus:
yeah you're always in my way
I'm falling faster everyday
yeah you're always in my way
I gotta spit you out
you bring me down
everything just crashes to the ground
cause you were always in my way
I can feel a brake
a bruise from another day
it's hard to say just what I feel
it all seems broken now
when I'm stuck on the in between
staring at something out of reach
repeat chorus
go!
yeah you're always in my way
yeah you're always in my way
you bring me down
everything just crashes to the ground
cause you were always in my way
cause you were always in my way
cause you were always in my way
yeah

Safer on the Outside
i'm no good
i feel too small
something's gonna burn
sink on you
drunken highways
someone take the wheel

[chorus:]
faded in the blackout you left me in
it's safer on the outside
i'm swimming in
this kerosene it's hard to breathe
statics got me down

i can't sleep
i'm disconnected
everything went wrong
and certain stars
are sad and bruised like
someone's cheating heart

[repeat chorus 3x]

got me down, got me down, got me down
safer on the outside, safer on the outside
safer on the outside
  
I'm a Fool
got nothing to loose this time
and I'm bored with the same old lines
I never know what to do or what to say to you
one look and you'll knock me out
you put me on the floor with a ten count
I don't wanna make a scene I gotta make you see
that I've been waiting for a girl like you
and I know there's nothing I could do

chorus:
don't wanna make you hurt
don't wanna make you feel
like the world ain't on your side
like you're never gonna get it right
no I can't fight I can't sleep at night
just thinking about you girl
I'm a fool for you
yes I am

you've been on my mind
since I saw you walking by
I knew I had to know you better you were everything
but I didn't know what to say
so you just walked away
I couldn't believe what a fool I was to let you go
cause that I've been waiting for a girl like you
and I know there's nothing I could do

repeat chorus

yeah

then I saw you at the beach talking with my friends
I couldn't believe my eyes it was my lucky day
so I just asked you out to the Forum to see No Doubt
when you said you would go I thought I might explode
cause that I've been waiting for a girl like you
and I know there's nothing I could do

repeat chorus (2x)

yes I am
I am a fool for you
yes I am
I am

Hi-Fi Killer
i wanna turn you on again
turn you around and maybe then tune you out
i don't know how to make it real
what ever you want it's not big deal
change my tone

[chorus:]
i gotta disappear
don't wanna hear that sound on the radio
yeah we could all hum along
cause it's the same old song

i don't know how to make it stop
(go left to the dial) to really rock
but i'm not sure yeah
i'll kick it over anyway
it's cool but your starting to decay
it's in your face

[repeat chorus]

you could watch me come undone
you could watch me come undone
yeah you
you could watch me come undone
(two) freak you
you could hum along, you could hum along
you could hum along, you could hum along

i wanna turn you on again
turn you around and maybe then

[repeat chorus]

i gotta disappear
don't wanna hear that sound on the radio
yeah we could all hum along
yeah we could hum along
yeah

Blue Day
i wanna get out when everything's alright
can't you see i'm a wreck gonna crash and burn
i wanna get out i've done my time
if you fuck with me i might blow your mind yeah

i'm not qualified to answer anyone
if the world can wait then why can't i
you're not justified in what you do or say
empty heads in a line yeah you're on your way

[chorus:]
i'm not asking for much just get outta my way
i'm in the eye of the storm beautiful blue day

[repeat 1st verse]

[repeat chorus 2x]

blue day [3x]
My Only Enemy
I don't ever try
to keep the love alive
I've found the frequency
you sucked it out of me
I'm not the only one
to hold a smoking gun
you felt the gravity
you think you're finally free

I don't even know
which way it oughta go
get out before you drown
before they bring us down
it's all inside of me
my only enemy
you sucked it out of me
you fucked it outta me

watch the world turn on
watch the world turn on
watch the world turn on
my only enemy

I want it all before you go
I want it all before you go
I want it all before you go

I don't ever try
to keep the love alive
I've found the frequency
you sucked it out of me
you sucked it out of me
you sucked it out of me
my only enemy, my only enemy
watch the world turn on
watch the world turn on
watch the world turn on
my only enemy, my only enemy
my only enemy, my only enemy
my only enemy
well fuck you, well fuck you 

Don't Wait for the Sun
i don't need to know why
cause tommorow i'll be fine
i should learn to be still
if i close my eye i'll realize what you meant

[chorus:]
don't wait for the sun
it could turn black any day
i lost my hat in the clouds
when will the haze go away
i never wanted this

now it's all i've got
someone else is keeping time
i think i'm falling apart
if you were me would you do it like i do

[repeat chorus 2x]

so don't wait for the sun
don't wait for the sun
don't wait for the sun
it could turn black any day
you're all that i wanted

Another Perfect Day
I'm holdin on
waitin for your call
it's simple but I can't explain this

I'm sinking down
I feel like I could die
I'm falling off
I don't know why

I still believe it when you say,
It's another perfect day
another perfect day.
I still believe it when you say,
It's another perfect day
another perfect day.

So I might try
to leave it all behind
I know tomorrow's not so bright now

I'll say goodbye
cause nothing good can last
you wear and fade,
you're no where fast
but today
I don't know how
to keep it all inside
but I guess I'll let it slide.

I still believe it when you say,
It's another perfect day
another perfect day.
I still believe it when you say,
It's another perfect day
another perfect day.

Today, I don't know why
I thought that it was real
but I guess it's no big deal

I still believe it when you say,
It's another perfect day
another perfect day.
I still believe it when you say,
It's another perfect day
another perfect day.

I don't know how
I don't know how
I don't know how
to let it slide... 

Scar
I could hang around
you could let me down again
but it's killing me
I can't waste a sound again
you'll break me if you can
you'll break me if you can

Drag me down again
it's hard to be your scar
a frozen satellite
you never got that far
it's hard to be your scar
be cool like you

Every sorry lie
I can't live that down no
so you'll wait and see
I'm caught between the seam and me
you'll break me if you can
you'll break me, break me if you can

Drag me down again
it's hard to be your scar
a frozen satellite
you never got that far
it's hard to be your scar
be cool like you

I could hang around
you could let me down

Drag me down again
it's hard to be your scar
a frozen satellite
you never got that far (never got that far)

So drag me down again
it's hard to be your scar
a frozen satellite
you never got that far (never got that far)

Never got that far (never got that far)
never got that far 

What About Today
it's getting hard
but you don't even know
maybe you can't see
i'm getting tired
i've been still
i'll panic on

[chorus:]
hearts are sinkin' blind
yeah well you don't even know
all you gotta do
just stop and ask me
silver, chrome and steel
set the tone and set me out
it's everything you want
complete the failure

no more to say
what about today
what's really going on
and between the blind
and blood shot eyes
i'd thought i'd see my way
see my way

[repeat chorus]

yeah you're getting awfully close
yeah you're getting awfully close

[repeat chorus]

complete the failure
complete the failure
Wall of Sound
it don't mean nothing
when you say it's gonna be alright
cause you'll tell me anything i wanna hear
and it don't mean nothing
when you laugh at my jokes
cause it's all or nothing when i fall apart
fade, fade, fade
into you

you're under my skin now
i could shut out the world that we know
i'll try to be everything you want me to be
and i've gotta head start
but i'm making the same mistakes
cause it's all or nothing when i fall apart
fade, fade, fade
into you

[chorus:]
caught in the rush of the crowd
lost in a wall of sound
you were ringing in my ear
caught in the rush of the crowd
lost in a wall of sound
you were ringing in my ear

my ear

fade, fade, fade, fade

[repeat chorus]

Black Satellite
quicksilver and wax
you don't have to ask, black satellite

and i'm ok but every time you call i can't hear a sound
so i'll try to stay but when i feel a wave i'm already gone

quicksilver and wax
you don't have to ask, black satellite
just when i'm starting to crash
i'll fastforward back, black satellite

feet where I stand but everything's the same
and watch me walk away
and something's wrong you're nothing like before
and im already gone

quicksilver and wax
you don't have to ask, black satellite
just when i'm starting to crash
i fastforward back, black satellite

but i feel the same i'll get it straight
and no more to say
i'll get it straight back to nowhere

quicksilver and wax
you don't have to ask, black satellite
just when i'm starting to crash
i'll reach you at last, black satellite

i think i'm starting to crash at last
i think i'm starting to crash
i think i'm starting to crash at last
i think i'm startïng to crash

Still Sideways
And you need me every time,
I'll wait it out for a while,
But someone get me outta here.
It's better now that I'm not around.

Maybe you can see
I'm still kinda sideways,
I'm wasting away,
And something's got me thinking...
It might be nothing,
But I'm wasting away.
Maybe I'm just tired...

Tomorrow never let's me see,
But I don't know who you are.
It's hard enough to feel this way.
I'm holding on but you move too slow.

Maybe you can see
I'm still kinda sideways,
I'm wasting away,
And something's got me thinking...
It might be nothing,
But I'm wasting away.
Maybe I'm just tired...

No one can get inside,
No way, no, not this time.
It's too late to get it right,
I'll try today.

And you need me every time,
I'll wait it out for a while,
But someone get me outta here.
It's better now that i'm not around.

Maybe you can see
I'm still kinda sideways,
I'm wasting away,
And something's got me thinking...
It might be nothing,
But I'm wasting away.

I'll never let you see,
Never let you see,
Never let you see...
Maybe you can see
I'm still kinda sideways,
I'm wasting away.


"The Art of Losing"

The Art of Losing
Last call now I'm outta time
And I don't got no valentine
Singled out, now I stand alone
The underdog in a modern world
Suburbia is hot tonight
But nothing seems to feel alright
I don't want your sympathy
I just need a little therapy
At least that's what they say to me

Hey ho let's go
I'm gonna start a riot
You don't wanna fight it
One two fuck you
Don't tell me what to do
I don't wanna be like you
Can't you see it's killing me
I'm my own worst enemy
Knock me down I'll keep on moving
It's the art of losing

Fit the mold and do what you're told
Get a job and start growing old
9 to 5 can make your dreams come true
But I don't wanna be like you
I'm not cool and I'll never be
I break the rules and I guarantee
I don't want your sympathy
I just need a little therapy
At least that's what they say to me

Hey ho let's go
I'm gonna start a riot
You don't wanna fight it
One two fuck you
Don't tell me what to do
I don't wanna be like you
Can't you see it's killing me
I'm my own worst enemy
Knock me down I'll keep on moving
It's the art of losing

You call me a loser
Say I'm just a user
But I'll just keep on moving
Cause that's the art of losing

Hey ho let's go
I'm gonna start a riot
You don't wanna fight it
One two fuck you
Don't tell me what to do
I don't wanna be like you
Can't you see it's killing me
I'm my own worst enemy
Knock me down I'll keep on moving
It's the art of losing

Wahhhooo (It's the art of losing)
Wahhhooo (It's the art of losing)

We're the kids
We're the kids
We're the kids in America
We're the kids
We're the kids
We're the kids in America

The Break Up Song
I can’t believe I hung around with you
All this time
You drove me crazy with your ocd
Girl your out of your mind
I’m counting on ufo’s to beam me up
I just don’t know
How long I can take this shit
I’m over it girl you gotta go

It’s over were over
Just like in crimson and clover
Were sinking and I’m thinking
How the hell did we get so stupid
It’s the end ex girlfriend
I don’t care what you think of me now
So long your gone
This is the break up song

One more thing before you go
Would you please give me my records back
My bloody valentine, the pixies, cheap trick and back in black
You can keep the dog we bought
But you can’t go near the standard bar
Don’t hang around
Don’t call my friends
They wont know who you are

Its over we’re over
Just like in crimson and clover
Were sinking and I’m thinking
How the hell did we get so stupid
It’s the end ex girlfriend
I don’t care what you think of me now
So long your gone
This is the break up song

So long your gone
This is the break up song

Its over we’re over
Just like in crimson and clover
Were sinking and I’m thinking
How the hell did we get so stupid
It’s the end ex girlfriend
I don’t care what you think of me now
So long your gone
This is the break up song

So long your gone
This is the break up song [x3]

THIS IS THE BREAKUP SONG


Beautiful Disaster
I’ll make you a 5 star enemy
I’ve taken a fall would you like to see
Choke it down what a sound run away from me
Keep on laughing girl do you see me

Break it down now
What chu want anyway
Right about now
What chu want anyway
I’ll fuck it up again
What chu want anyway
We keep falling in love
What a beautiful disaster

Connect my skull to the socket burn baby burning like a rocket
Cant sell no tell would you buy it
Thick skin now don’t you wanna try it

Break it down now
What chu want anyway
Right about now
What chu want anyway
I’ll fuck it up again
What chu want anyway
We keep falling in love
What a beautiful disaster

What a beautiful disaster [x3]

Connect my skull to the socket burn baby burning like a rocket
Choke it down what a sound run away from me
Keep on laughing girl do you see me

Break it down now [x2]

Break it down now
What chu want anyway
Right about now
What chu want anyway
I’ll fuck it up again
What chu want anyway
We keep falling in love
We keep falling in love

Break it down now
What chu want anyway
Right about now
What chu want anyway
I’ll fuck it up again
What chu want anyway
We keep falling in love
What a beautiful disaster

What a beautiful disaster [x3]


Save Me
I’ve been so low
Yeah I’ve been so strung out
Can you picture this
I’ll take something
It’s better than nothing, anything
That you’ve go to give

I can’t let go
I don’t want you to know
I’ve been down so long
Could you save me
I’ll fight my way
Just to hear you say
If I go up in flames
Could you save me

The more you whisper
The words keep stinging in my ear
We’re never gonna be the same
Sunshine fading and black sheets
Raining down on me
They cover up everything

I can’t let go
I don’t want you to know
I’ve been down so long
Could you save me
I’ll fight my way
Just to hear you say
If I go up in flames
Could you save me

I’ve been so selfish
I get so high
Don’t wanna come down

I’ve been so low
Yeah I’ve been so strung out
Can you picture this

I can’t let go
I don’t want you to know
I’ve been down so long
Could you save me
I’ll fight my way
Just to hear you say
If I go up in flames
Could you save me

Yeah could you save me
Oh could you save me


Nothing Left to Lose
Nothing left to lose
Except you and your baby blues
Microphone check this rhyme
Pancho villa was a friend of mine
I get fucked up holla back y’all
And I kick it like Jackie Chan
With my kung fu style
I’ll get rid of you in a while (yeah)
Hey hey hey
All the bitches in the back

C’mon c’mon get up get up (woah)
I know you know its never forever
C’mon c’mon get up get up (woah)
You wanna hear I’m sorry whatever
Now that you gone I’m moving on
You wrecked it all
There’s nothing left to lose
Except for you
Hell yeah

Get my teenage kicks
Pull in down boards like rodman
All the lipstick chicks sing
Na na na na na na
I get fucked up holla back y’all
And I rock it like Jackson Browne
Let me tell ya right now what
I like strippers better anyhow
Hey hey hey
All the bitches in the back

C’mon c’mon get up get up (woah)
I know you know its never forever
C’mon c’mon get up get up (woah)
You wanna hear I’m sorry whatever
Now that you gone I’m moving on
You wrecked it all
There’s nothing left to lose
Except for you
There’ nothing left to lose except for you

Go

1 2

C’mon c’mon get up get up (woah)
I know you know its never forever
C’mon c’mon get up get up (woah)
You wanna hear I’m sorry whatever
Now that you gone I’m moving on
You wrecked it all
There’s nothing left to lose
Except for you

Now that you gone I’m moving on
You wrecked it all
There’s nothing left to lose
Except for you

There’s nothing left to lose
Except for you [x2]

 
Teenage Alien Nation
I want it all
No matter what thought you heard me say
No matter what you know you can’t escape today
Is there any other way
So what if you don’t like me
I don’t give a fuck if you don’t like me
I can change my lock
It seems that I’m rotten to the core

Forget about tomorrow
You and me we’re going down in sorrow
Youth of the nation going nowhere
Station to station
Teenage alien nation (woah)
Teenage alien nation (yeah)

It’s all wrong
I guess that some of us have come and gone
I guess we kinda shudda known it all along
Never going anywhere
Sometimes you gotta pick it up and roll the dice
Your looking back and you don’t think twice
Bout feeling lonely everyday

Forget about tomorrow
You and me we’re going down in sorrow
Youth of the nation going nowhere
Station to station [x3]
Teenage alien nation [x4]


Rise
I don’t know what I can take
Can you feel the pressure break
I’ve been getting by on nothing
How long so long
Feeling like I lost my vision
Transmission full of dead ambition
Kinda sorta gotta get it together
I can’t wait forever

Rise out of the atmosphere
I gotta disappear
I gotta get out of here
You got the best of me
Rise up and outta here
Into the stratosphere
I gotta get out of here
You got the best of me

I could never be that clever
Even though it’s now or never
Counting down the seconds till it blows
4 3 2 1
Disappear without a trace
Could I be in outer space
Staring at the sun till I get how high so high

Rise out of the atmosphere
I gotta disappear
I gotta get out of here
You got the best of me
Rise up and outta here
Into the stratosphere
I gotta get out of here
You got the best of me

Did I break down
Can we slow down
I wanna get out
I don’t wanna be so bored

Rise out of the atmosphere
I gotta disappear
I gotta get out of here
You got the best of me
Rise up and outta here
Into the stratosphere
I gotta get out of here
You got the best of me

You got the best of me [x8]


This is the Sound
Empty hearts can fill an empty room
Because of you
The sky above remains clear and blue
It’s nothing new
The radio keeps playing static or your favourite songs
And why does everyone keep on bringing me back to you

And this is the sound of the broken down
And this is the last train home…….the underground
And this is the fall don’t catch me if I fall
Just catch me when I fall back to the ground

Lightening crashes all around me now
I hear its sound
Broken down wings can carry us to where the people stare
Fall asleep against the windowpane
Outside the rain covers everyone
Now we’re never gonna see the sun

And this is the sound of the broken down
And this is the last train home…….the underground
And this is the fall don’t catch me if I fall
Just catch me when I fall
Don’t catch me if I fall back to the ground

And if you wanted to stay I’ll have you any day
And if you wanted to stay I’ll have you any way

And this is the sound of the broken down
And this is the last train home…….the underground
And this is the fall don’t catch me if I fall
Just catch me when I fall back to the ground

And this is the sound [x2]

And this is the fall don’t catch me if I fall
Just catch me when I fall
Don’t catch me if I fall back to the ground

The Gold Rush
She caught the gold rush
I could never get enough
She’s been in magazines
What a little beauty queen
She’ll stay a stick around a while
With such a winning smile
She could be in black and white
I’m colour blind I’ll make it right

Her head keeps spinning round
I’m in over my head
There’s an art to falling down

Hey hey I got a message for ya
You’re gonna blow it girl
Stuck in your little world
Fight fight till we get it right
I got you right where I want you

She caught the goldrush
I must of lost my touch
She’s on the movie screen
Acting like a rocket queen

She’ll so the long mile
With such a winning smile
Break it down forever
I don’t want her anyhow

Her head keeps spinning round
I’m in over my head
There’s an art to falling down

Hey hey I got a message for ya
You’re gonna blow it girl
Stuck in your little world
Fight fight till we get it right
I got you right where I want you

Golden girl
She’s just a golden girl
My little rocket queen
On the movie screen

Hey hey I got a message for ya
You’re gonna blow it girl
Stuck in your little world
Fight fight till we get it right
I got you right where I want you

Hey hey I got a message for ya
You’re gonna blow it girl
Stuck in your little world
Fight fight till we get it right
I got you right where I want you

Built for Speed
She’s on fire like a rocket spinning out of control
Try to stop her but you just don’tknow
How to keep it inside
Can you keep on turning out
I’ll wait for my turn
Same old story coz you never learn
Gotta make it in time

She don’t know what she does to me
The girl got soul and rhythm in between
I crash and burn like every other time
She’s my little rock n roll queen
I got a girl like that
My baby’s built for speed

Shoot to kill built to spill
Got a mind take your pills
But your never gonna get to what thrills
All of us inside
Can you put the pedal to the metal this time
You gotta want it like I want it alright
We gotta start tonight

She don’t know what she does to me
The girl got soul and rhythm in between
I crash and burn like every other time
She’s my little rock n roll queen
I got a girl like that
My baby’s built for speed

She’s on fire like a rocket spinning out of control
Try to stop her but you just don’tknow
How to keep it inside

She don’t know what she does to me
The girl got soul and rhythm in between
I crash and burn like every other time
She’s my little rock n roll queen
I got a girl like that
My baby’s built for speed

I got a girl like that
My baby’s built for speed

Yeah my baby’s built for speed [x2]


Happy
I see you in a daydream
Turn it on now make a big scene
You kiss you kiss when you want something
Fake a smile now
You got it all

And that oughta get you nowhere
What you say to me
I know how to stay outta focus

Keep your head down till the bitter end
Make believe that you my best friend
You trade passion for fashion
Nothings cool like when we were cool

And that oughta get you nowhere
What you say to me
I know how to stay outta focus

You fall through to cracks of the city street
You can’t see straight
You can’t see straight

I see you in a daydream
Turn it on now make a big scene
It makes you happy
It makes you happy
It makes you happy
It makes you happy

And that oughta get you nowhere
What you say to me
I know how to stay outta focus

And that oughta get you nowhere
What you say to me
You fall through to cracks of the city street
You can’t see straight
You can’t see straight
You can’t see straight


When the Breeders Were Big
Do you remember when the radio would play our favorite songs
and we would sing along, got some records of 'Super Chunk And Hum'.
Knew it all along. We never get along.
I gotta try get you off mind but it never works every other time,
I heard canon ball it brings me back to you on my stereo.
Let cross some 'Sonic Youth'

To back the sound and what we dig,
make it like when 'The Breeders' were big,
everyone would sing along, sing along our favorite songs

I got a picture of a photograph of you,
riding in my car playing 'Big Star'
it's never growing old blasted mellow cold.
Knew it all along we love the 'Sweater Song'

To back the sound and what we dig,
make it like when 'The Breeders' were big,
everyone would sing along, sing along our favorite songs

To back the sound and what we dig,
make it like when 'The Breeders' were big,
everyone would sing along, sing along our favorite songs

To back the sound and what we dig,
make it like when 'The Breeders' were big,
everyone would sing along, sing along our favorite songs...

Sing along
Sing along
Sing along
Sing along...



Videos
American Hi-Fi - Flavor of theWeek                                                     American Hi-Fi - The Art of Losing

American Hi-Fi - Another Perfect Day                                             American Hi-Fi - The Break Up Song


American Hi-Fi - Beautiful Disaster